Sarah LaPolla is an associate agent at Curtis Brown, Ltd. She
studied creative writing at Ithaca
College, and has an MFA
in creative nonfiction from The New School. She joined Curtis Brown, Ltd. in
2008 as the assistant to the foreign rights department, and became an associate
agent in 2010.
Sarah represents both adult and YA fiction, and is looking for
literary fiction, magical realism, dark/psychological mystery, literary horror,
and upmarket commercial fiction with strong characters. Sarah would also love
to find a literary Middle Grade novel in the style of Rebecca Stead, Katherine
Applegate, or R.J. Palacio.
For more information, check out my friends Natalie Aguirre and Casey McCormick's wonderful blog, Literary Rambles.
And now Sara LaPolla faces the 7 Questions:
Question Seven: What are your top three favorite books?
The Perks of Being a Wallflower by Stephen Chbosky. I can’t think
of another book that means as much to me as this one does. If I had to name others, I’d say
The Catcher in the Rye, Pride and Prejudice, The Amazing Adventures of Kavalier and Clay, Bright Lights Big City.
Then of course there are short story collections by Raymond Carver,
Lorrie Moore, and Flannery O’Connor. Memoirs and essay collections by
Joan Didion, David Sedaris, Mary Karr, E.B. White, George Orwell, and
all-time young adult favorites like
The Outsiders and Harry Potter (Prisoner of Azkaban is my favorite). And… wait, you said name only three, right? Sorry.
Question Six: What are your top three favorite movies and television shows?
TV shows: Buffy the Vampire Slayer, The West Wing, and Arrested Development.
Movies:
Wonder Boys, The Philadelphia Story, and When Harry Met Sally… and I
have a very special place in my heart for Wayne’s World that I can’t
describe in
words.
Question Five: What are the qualities of your ideal client?
First and foremost, an ideal client is someone whose book I love. Not just like a lot or think I can probably sell, but
love. Clients should know what they want from their agent and
understand the role an agent plays. Mutual respect is a major part of a
successful working relationship.
Question Four: What sort of project(s) would you most like to receive a query for?
I
represent adult and YA fiction in the genres of literary fiction,
upmarket commercial fiction, science fiction, low fantasy, magical
realism, psychological
mystery, and literary horror. An ideal query for me should fall within
those parameters, and have two things:
1)
Great characters. A good character has a life outside of whatever book
they’re in, and I want to be able to think about them after the story
ends.
2) Something that surprises me. [Note:
Not shock value!] I want a book that surprises me in some way,
whether it’s through the style of the writing, the type of character I’m
following, or an element of the plot I didn’t see coming.
Question Three: What is your favorite thing about being an agent? What is your least favorite thing?
My
favorite thing about being an agent changes every time I’m asked
because there is so much about the job that’s “the best.” For now, I’ll
say the moment when
I call my authors to tell them a publisher wants to buy their book, and
that they are going to be a published author. Since I work with mostly
debut authors, this has yet to get old! I hope it never does.
The
worst part, easily, are rejections. Everyone gets rejected in this
business. It sucks when I’m the one being rejected, and it sucks even
more when I have
to reject people.
Question Two: What one bit of wisdom would you impart to an aspiring writer? (feel free to include as many other bits of wisdom as you like)
Be
patient. Ignore all of those “14 year old prodigy lands 6-figure-deal”
headlines and don’t worry about when it will “happen” for you. There’s no
expiration date
on having a writing career. If you’re meant to have one, it’ll happen
eventually.
In one of my clients’ cases, she had been querying since
before I became an agent. She just needed to wait for me to come along,
and now she has two published books. If you want
an agent and receive 50 rejections, either query 50 more or write
something new to query.
Even after you get an agent, the process doesn’t
speed up for you. You could be on submission for months, and then after
your book sells, you won’t see it published for
another 18 months. Sometimes longer. Just, be patient.
Question One: If you could have lunch with any writer, living or dead, who would it be? Why?
Can I pick one living and one dead? (I’m breaking rules all over the place with this interview!)
Living:
David Sedaris. It’ll be entertaining, for sure. I’m such a fan of his
in general. But mostly I want to be able to tell him that he’s a major
reason
I ended up where I did, and how grateful I am that he showed me
nonfiction could be like that. Then I think it’d be fun to watch him
uncomfortably change the subject after I gush over him.
Dead:
E.B. White. Another essayist and another huge influence. We’d talk
about New York and how it’s changed, and how it hasn't really changed at
all. I’d want
J.D. Salinger to sit at the next table, but by himself. He won’t have
to talk to me if he doesn't want to.
